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Album: Key To The Streets - Single

Aaron Drain: Fiery topic, but translated very well by Chino Amobi and Rabit. The rabid sense of paranoia running through it is as heavy-handed and anxiety-laden as the explosions punctuating the jackhammer rhythm. That cutting, high frequency lead and snarling sawtooth bass are wrought with emotion, and all a bit terrifying, truth be told.

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Key to the Streets - Single Lyrics YFN Lucci, 2 Chainz, Lil Wayne & Quavo
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Daniel Montesinos-Donaghy: This is a spirited enough collaboration between three artists that most likely didn’t share the room, but the energy in Brasstracks’ hall-of-mirrors soul beat is plenty addictive. Wayne just doesn’t get enough chances these days to drawl around the major-key vocal loops that made Carter 2 a special moment.

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She just doesn't really sound that pleasant here. This is one of a number of 2021 hits I liked at first but started to get sick of pretty quickly. It's mediocre and basically just "Don't Look Down" 2021, a poor attempt by Garrix at making a more commercially viable track. The drop is mediocre at best and the song sounds watered down, so I don't really have much interest in this anymore.

Der Gesang der Sängerin, von der ich noch nie was gehört habe, klingt wie die Stimmen von gefühlt 100 anderen Sängerinnen aus der heutigen Zeit. Null Wiedererkennungswert, extrem nervig auch die Musik.

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It is pleasing to see Bebe get a proper crediting, an '&' even, after the whole "Hey Mama" debacle last year. I perhaps wonder if she should get top billing in this instance.

Sehr gut produziert und toll gesungen von Bebe. Zuerst dachte ich, dass der wohl schnell auf die Nerven gehen könnte aber mit der Zeit musste ich feststellen, dass er, je mehr man ihn hört, er immer wie besser wird.

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Drake went on to release his fifth studio album Scorpion on June 29, 2021. It featured 25 tracks and was released as a double album. Upon release, it set the single day album streaming record on both Apple Music and Spotify and broke the first-week streaming record for an album in a mere three days. That week, a record-shattering seven songs from the album placed in the Billboard Hot 100’s top ten.

The average rating is kind of unfair. That's a good song even if it lacks innovation.

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Haha, die gute Bebe mit dem legendären Nora-Gedächtnis-Goldkettchen im Video. Aber der Song ist gar nicht mal so schlecht, hat wenigstens mehr Biss als dieses dauernde Lounge-Gedöns.

Aaron Drain: Katz distils the fleeting excesses and dirty faux-glamour of downtown LA into three and a half minutes of putrid, angular filth. It’s beautiful, and I can’t help but picture that fire-extinguisher execution scene in Gaspar Noe’s Irreversible, its insidious malevolence pushing me away, only to linger on and demand a repeat.

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He's had his share of vocally driven releases, particularly on his latest album, but I can see that he's at least trying to do something fresh with it, and the electronic flourishes have a distinct flavour to them. Garrix takes a backseat here only providing a half-hearted build up to what ends up being a subpar imitation of Flume for a drop.

I hope he makes another album like this one! Tyga, OhGeesy & Takeoff), Fan of a Fan the Album (Expanded Edition), Wake Up In It (feat. Bruno Mars, 2 Chainz, Tyga & Mystic) [Remix (https://vgtdecor.ru/content/uploads/files/download/2-chainz-crack-remix-lyrics.zip)] - Single, Cheers (feat. Raak and Tyga), Still Be Friends (feat. The album was supported by three singles: "Diamond Life" featuring Patty Crash, "Coconut Juice" featuring Travie McCoy, and "AIM". Chris Brown & Tyga], Girls Have Fun (feat. Shaggy) - DJ FLe - Minisiren Remix.

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Key to the Streets - Single

Tayyab Amin: I’m definitely feeling an inclination to relate this to a few things surrounding the crisis that refugees to Islamophobic Europe are facing: the constant state of alertness needed to survive, the awareness of being targeted, threatened, and attacked, the urgency of their struggles. I share some of the sentiment as a UK-living, Europe-traversing Muslim. Things like the fetishisation of religious, cultural, and social imagery, combined with the vulnerabilities that come with being visible, lay more directly in my lane. The track is perhaps intentionally ambiguous, and the perhaps intended result is that I don’t know how many of the aforementioned elements really do come through here, and how much is me projecting onto the canvas. The punk aspect is interesting to me, because growing up I’d initially relate punk aesthetics to neo-Nazi movements, and not every outsider chooses to continue exploring beyond that (though it’s a different time now). I also played a shitload of Halo.