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Able to work as a standalone application or plug-in, depending on your needs, IK Multimedia T-Racks 3 Deluxe is a DAW mastering and mixing package consisting of 9 analog-modeled and digital Dynamics/EQ processors. T-RackS 3 has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters. Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics. An added modular chain gives you full control and easy navigation/compare features. T-Racks 3 Deluxe features new complete metering section keeps all the most important variables of your sound under control. A truly superior mastering and mixing system that will put a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates.

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T-RackS 3 Deluxe by IK Multimedia is one such solution

The Standard T-RackS bundle consists of, and the Deluxe version includes, a set of four “Classic” processors. The Classic Equalizer offers EQ across six bands with a great deal of control, allowing for detailed tweaking. The Classic Multiband Limiter can be used to tighten up specific frequencies in addition to its usual compression uses. The Classic Compressor along with the Classic Clipper completes the listing.

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As we've seen, however, many of those MAX modules have applications that go far beyond mastering, and all are available as individual plug-ins. So does it make sense to embrace T‑RackS 5 as a plug-in bundle for mixing? This is certainly fine a practical point of view: apart from one technical gremlin (the Metering plug-in sent Wavelab belly-up on me a few times), I had no problems using any of the T‑RackS 5 plug-ins in the various hosts I tried. And from a desirability point of view, although the standard version offers a well-targeted selection of processors for routine mastering duties, it is likely to prove 'useful' rather than 'killer' for mixing.

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The menu bar also includes four slots that can hold different signal-chain configurations for each audio clip, making it easy to explore alternative processing strategies for a given clip as you work. The waveform display also includes basic audio editing features such as clip trimming and adding fades.

Top right is the metering panel, which offers peak, RMS, LUFS and dynamic range readings, customisable for different musical and broadcast applications. Bottom right is the processor browser, from where you can drag and drop processors into the larger, lower-central panel that, by default, shows the processor signal-chain for the current audio clip. You can also reorder the signal chain and create parallel processing pathways. Each chain can contain up to 16 processors, the last of which is always the new Master Match even if it is not active. Finally, the panel top centre shows the interface for the currently selected processor.

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Whether you need what T‑RackS (https://vgtdecor.ru/hack/?patch=6545) 5 has to offer or not, I think IK Multimedia have a quality product here that, in version 5, has matured very nicely. Whether as a mastering solution, or as a collection of plug-ins for mixing duties, T‑RackS (additional hints) 5 does an awful lot very well indeed and misses very little. The range of price points also make T‑RackS 5 accessible to a number of different groups of potential users: those new to DIY mastering are a prime target for the standard addition, while those already fully committed to building their in-the-box mixing and mastering system are likely to find MAX an impressive and powerful addition to any DAW.

IK Multimedia T-RackS 3 Deluxe Mixing/Mastering Software

T‑RackS started life as a stand-alone application, offering a modest, but well-featured, suite of processors comprising mastering-style EQ, compression and multiband limiting. The feature list has expanded considerably since then, and all the individual processing options are now available as separate plug-ins for use within any suitable Windows or OS X host. The latest iteration of the software continues the multi-format approach, with VST2, VST3, AU and AAX plug-in versions included alongside the stand-alone program.

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IK Multimedia T-RackS 3 Deluxe Review

Minimal: 1/5 GHz Intel processor, 1 GB of RAM, Mac OS X 10/6 or later. Supported Plug-in formats: Audio Units, VST, RTAS, AAX (32 and 64-bit).

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The two larger knobs, Push and Volume, control how hard the compression is working and the overall loudness. Both include a red scale/LED meter showing how much peak gain reduction is being generated as a consequence of the processing. As with the other controls, I suspect each knob is actually changing a number of underlying parameters within the processing algorithms. Obviously, if you push too hard on any of these settings, things will eventually get messy, but I was actually very impressed at just how easy ONE made it to do a basic mastering job when your starting point is a solid mix. It's perhaps not flexible enough if you require more surgical corrective moves as part of a mastering task, but I can imagine those new to DIY mastering finding this a really great place to start.

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Reverb isn't an obvious mastering tool, but MAX's spatial category includes no fewer than four different reverbs and an emulated tape-based echo. The reverbs cover hall, plate, room and 'inverse' (a faux-reverse reverb) options, and all, colour scheme aside, provide similar control sets. They also include an ADV button that opens up a large number of further controls if you want to dig past the Easy mode options. It would be easy to be underwhelmed by this selection compared to the EQ and dynamics offerings, but each is capable of some seriously good reverb treatments. I experimented with a range of vocals, acoustic guitars, solo pianos and drums, and had no complaints about the results that could be obtained. Delay-wise, the ADV section of the plate reverb includes an Echo section offering some short (500ms) delays, and the Tape Echo plug-in/processor is a characterful emulation of an old Maestro Echoplex hardware unit. It's good at what it does but, for my taste, provides rather too much emulated tape noise to be used for routine delay duties.

Classic T-RackS Multi-Band Limiter splits the signal into 3 bands, and lets you adjust the crossover points between them to define their boundaries. Each band can have different threshold and level settings.

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Because I do my own mixing and mastering, the Total Studio 3 Bundle was especially appealing to me as it included some really great audio tools. My favorite and most used being T-RackS 3 Deluxe. T-RackS (https://vgtdecor.ru/content/uploads/files/download/t-racks-3-deluxe-full-cracked.zip) is a mastering suite that I find absolutely essential for mastering in a home studio; especially when working completely in the box. It also comes with a bunch of other tools such as the Classik Studio Reverb (CSR) and AmpliTube 3 which is an amp modelling plugin. For a full (click here to investigate) list of what is included with Total Studio 3 click here.

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When used as a standalone application the lower half of the T-RackS interface displays a number of useful metering tools. Left and right channel peak meters, RMS metering, spectrum analysis, stereo phase and correlation meters. The Perceived Loudness indicator, part of the RMS meter, compares the loudness of the piece to a “Loudness Suggestion” based on the selected genre.

One further item on the topmost menu strip is worth paying attention to: the Equal Gain button. With this option engaged, you hear the processed and unprocessed versions of the audio at similar overall volumes when you then toggle the processing chain on and off. This makes it easy to check that your processing chain is preserving or enhancing the sonic quality, without your ears being fooled by simple volume increases. This is an important, and very useful, feature.

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The new T‑RackS (useful content) 5 front end offers a pretty comfortable working environment for mastering, and I can't imagine new users having too many difficulties finding their way around. Nor is T‑RackS (https://vgtdecor.ru/hack/?patch=7738) outdone sonically by any of the obvious competition. Those new to DIY mastering will also appreciate the helping hand offered by ONE and Master Match. The bottom line here is that the standard version of T‑RackS (https://vgtdecor.ru/hack/?patch=2986) 5 is a perfectly capable mastering package, while the MAX version offers an almost endless set of options including the ability to add 'character' using the various emulations of classic EQ and dynamics hardware.

Finally, the 'everything else' category includes some very interesting tools. I've already mentioned the metering options; also in this grab-bag are the Classic Clipper, which uses soft clipping rather than limiting to tame peaks, the Quad Image four-band stereo width processor, and Saturator X. This last is an interesting take on tape saturation with multiple modes. Used gently, it can add some subtle analogue-style warmth in a mastering context, but you can also really cook things if you want something more obvious for an individual track within a mix.

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Product information - IK MULTIMEDIA T-RackS 3 Deluxe Version Mastering Plug-In

T-RackS 3 Delux raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, full metering suite, an audio quality that is unmatched in software, and scores of new and unique features. All processors and metering module can be combined within the plug-in/standalone suite or are also available as individual plug-ins for more convenient mixing within your DAW, for a truly complete bundle of 12 superior sounding tools (10 individual plug-ins, plug-in suite, standalone suite).

The stand-alone interface has had a significant makeover for T‑RackS (https://vgtdecor.ru/hack/?patch=7614) 5. Beneath the topmost menu/control strip, the default layout splits the resizeable windows into six panels. On the left are the preset browser and clip list. The former offers presets for both full signal chains and individual processors. The latter is where you load and sequence your individual audio files. Each clip can have its own processing chain.

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Two new processors round off this catch-all category: ONE and Master Match. Both are included in all paid versions, and both are worthy of a few words. While T‑RackS as a whole is, first and foremost, a mastering suite, ONE is designed to be a complete mastering solution in a single processor. Its nine controls offer a combination of EQ, compression, exciter, enhancement, stereo width adjustment and limiting. For example, the Air control allows you to boost or cut the high end, while Focus changes the way the mid-range is perceived. Body and Bass Punch provide control over the low end, while the Transients control changes how the attack of sounds is handled.