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If rom-coms like 2021’s Valentine’s Day and 2021’s New Year’s Eve were turned into an eight-part Netflix series and pivoted an obsession with love and romance for boning, Easy would be that series. Filled with surprising celebrity cameos including Emily Ratajkowski, Orlando Bloom, and Hannibal Buress, the series follows Chicago couples as they navigate their sexual relationships.


Mahoney was known for his work as an editor on Key & Peele in 2021, for which he received an Emmy nomination, as well as Portlandia and Drunk History. He also edited episodes of Between Two Ferns and directed and edited Freak Dance in 2021, an Upright Citizens Brigade film, his IMDB profile indicates.

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Netflix’s latest coming-of-age tale really wants to let you know it’s 1996. The 10-episode series, set in the real town of Boring, Oregon, fairs better when it’s not blasting you with references. The premise isn’t exactly unique, either: Three freshman friends and AV club nerds collide with the drama nerds. Luke (Jahi Di’Allo Winston) finds himself drawn to fellow AV clubber Kate (the wonderful Peyton Kennedy), who is struggling with her sexuality. They are outsiders trying to find their people.


My guest Kathryn “Kat” Burns is a Two-time Emmy-winning choreographer, actress, dancer, and director. She’s been the series choreographer for many hilarious and brilliant TV shows including Crazy Ex-Girlfriend (2021 Emmy winner for Outstanding Choreography), Key & Peele, Drunk History, Comedy Bang! Bang, Children’s Hospital, Another Period, Garfunkel & Oates, Wet Hot American Summer: First Day of Camp and many more.

In season 2 of Lady Dynamite, the universe is still mostly intact: talking pugs, hungry raccoons, a deconstruction of show (https://vgtdecor.ru/hack/?patch=6857) business and mental health. But the storyline opens up a little: Now Maria Bamford has entered a relationship and is testing out domestic life alongside comedy and career.


In season 2 of 13 Reasons Why, Liberty High and the surrounding community are still reeling from Hannah’s death of Hannah Baker (Katherine Langford), as well as the attempted suicide of another student. Old wounds are opened again when Hannah’s parents decide not to settle their lawsuit against the school, instead taking it to court and forcing many of the students featured on Hannah’s tapes to testify. Many start receiving threats, warning what will happen to them if they don’t keep their mouths shut. Meanwhile, Clay Jensen (Dylan Minnette), stumbles into a conspiracy involving old polaroids that reveals an even deeper history of sexual misconduct at Liberty High.

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The Use Case: Telling someone -anyone -about your latest triumph over antagonism. Preferably as far away from them as possible, though, a la the first sketch ever filmed for the show.


‘Brickleberry,’ ‘Key & Peele’ and ‘Drunk History’ renewed

British royal nostalgia for the Downton Abbey crowd, albeit with fewer plot twists. Starring Claire Foy as Queen Elizabeth II, this costume drama will follow the Queen’s life from the 1940s to the present day. Season 1 covers the early years of her reign in the ‘50s, filmed in $12 million-per-episode luxury at a stultifyingly slow pace. Unlike some royal dramas (say, Claire Foy’s previous role as Anne Boleyn in Wolf Hall), it presents an oddly uncritical view of monarchy and the British Empire. The costumes and locations are gorgeous, but The Crown can sometimes feel like a sumptuous infomercial for the British royal family.

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Ms. Benanti earned the 2008 Tony Award for Outstanding Featured Actress in a Musical, a Drama Desk and Outer Critics Circle Award for her revelatory portrayal of Gypsy Rose Lee in Gypsy opposite Patti LuPone and directed by Arthur Laurents. Her other Broadway roles include The Wedding Singer, Nine, starring Antonio Banderas, her Tony, Drama Desk and Outer Critics Circle Award-nominated performance of Cinderella in Stephen Sondheim's Into the Woods and her sultry Tony nominated turn in Swing! Ms. Benanti made her Broadway debut as Maria in The Sound of Music opposite Richard Chamberlain.


The performance was a tribute to the music and legacy of Jolson and was not a mockery of African Americans, nor was it intended as such. Jolson spent a good part of his life defending the rights of black entertainers and was instrumental in fighting for black equality on Broadway.

Previews begin Wednesday, November 1, 2021 at Broadway's Booth Theatre (222 West 45th Street). Opening night is set for Wednesday, November 29.


The re-imagined Nine Inch Nails song was first heard in the Black Mirror episode "Rachel, Jack and Ashley Too,” along with snippets of an accompanying music video. The interwebs immediately demanded an official release and the full video, and Ashley obliged. The visual features Ashley in all of her popstar glory, wearing sexy popstar garb and performing the appropriate choreography. Actually, the purple wig and dance sequences might make you think of 2009-era Lady Gaga, and those swirling projections on the wall are more than a little reminiscent of Ariana Grande's "Problem" video. See also: both stars’ white boots. But because this is Black Mirror, at about 1:49, it all starts to go down the tubes, with literal cracks in the video reflecting Ashley O’s journey in the episode. The unhappy singer is caught giving the camera the finger, she makes a mess in a pink bathtub, and finally, we’re treated to some eerie frames of Aunt Catherine looking pissed.

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I'll give you a little [insight into] the inner workings of Key & Peele (continued). Do you remember the "Yo Mamma Has Health Problems" sketch where I'm the Indian doctor, and I'm telling [Jordan's character] that his mother is obese, and she needs to cut back on the sodium in her diet because she has diabetes?

SERGI: The Bachelor guy, [Blake Horstmann], he spelled out "balockaye" on his Instagram [handle], and he posted a link to [the sketch]. And so every single female that I know tagged me. It'll be stuff like that that comes up. I think I put out an Instagram story, like, "I'm Buh-LOCK-aye, you can't rob me of that.


Will Arnett’s Flaked is bleak and punishing, so all is forgiven if you let it simmer in the queue a few weeks. Season 2 takes a sobering turn as it explores Arnett’s own struggle with alcoholism. Arnett plays Chip, who, over the course of the season, spirals out of control as his lies and deception become increasingly unraveled. It’s Arnett at his most sincere and raw.

The Use Case: President Obama and his anger translator Luther were one of the series' iconic recurring bits, but it wasn't until Luther popped up to help out the real Obama at the White House Correspondents' Dinner earlier this year that we got the ideal GIF. Gotta break some big news on Congrats Twitter?


Proud father of Emma and Hannah, he has received four Tony Awards and eight nominations. He's also received four Drama Desks, two Outer Critics Circle Awards, and an Obie. He directed the award-winning film Marvin's Room, starring Meryl Streep and Diane Keaton. Mr. Zaks is a founding member of the Ensemble Studio Theater. He received the SDC's George Abbott Award for Lifetime Achievement in the Theatre and an honorary Doctorate of Fine Arts from Dartmouth, his alma mater. He is a 2021 inductee to the Theatre Hall of Fame.

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YOUNG: I pictured [J-Quellin] as the studious bookworm who's used to making straight A's and is pretty snarky because the classroom is her scene. She doesn't like getting in trouble, so that's what I tried to [get across].


Produced by Fox 21, “Brickleberry” is executive produced by Tosh and series creators, writers and Executive Producers O’Guin and Black. Jim Sharp and Ian Friedman are the Executives in Charge of Production for Comedy Central.

In 2021, the show was honored with the first-ever Primetime Emmy Award for Outstanding Sketch Variety Series. Schumer was also nominated for Outstanding Directing for a Variety Series and Outstanding Writing for a Variety Series. Schumer received honors for Individual Achievement in Comedy and Outstanding Achievement in Comedy from the Television Critics Association in 2021. Additionally, she was awarded the 2021 Critics' Choice Television Award for Best Actress in a Comedy Series. Among the show's many accolades, it also received the prestigious Peabody Award in 2021. Schumer's first book, The Girl with The Lower Back Tattoo, continues to live on The New York Times bestseller list. Additionally, the book earned her a 2021 Grammy Award nomination for Best Spoken Word Album and will be released in paperback this August. Schumer was most recently seen on the big screen in Snatched, the mother-daughter comedy opposite Goldie Hawn. She can next be seen in Jason Hall's drama Thank You For Your Service this fall. Schumer is currently in production in Marc Silverstein and Abby Kohn's I Feel Pretty opposite Michelle Williams, and will star in Rebecca Miller's She Came to Me opposite Nicole Kidman in early 2021.


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Superhero franchises insist on team-ups, but are they always necessary? The Defenders brings together Marvel’s four Netflix heroes to fight the Hand, a criminal cult who are honestly kind of boring. Fortunately, the Hand’s new leader is a highlight. Sigourney Weaver plays the glamorous supervillain Alexandra with menacing charm, almost making up for the lack of originality elsewhere.

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The Use Case: Making plans to hit the club? Recently vanquish a mortal enemy?


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I use this example not to defend blackface, but to bring up the issue of the complainants themselves. One cannot help but notice from their profile pictures on social media that the majority of them are white, which calls into question why they are so quick to see something offensive that isn't even there.

Obviously, not every Netflix original series is created equal, and it can be daunting to know where to start. We pulled our staff and curated reviews from all of our Netflix coverage to date to create this definitive guide to the best Netflix original series. It’s divided into sections to help you organize your queue accordingly.


When Mystery Science Theater 3000 debuted in 1988, the premise might have seemed absurd: Host Joel Robinson (Joel Hodgson) is forced to watch (and comment on) bad movies with two salty robots. Netflix’s update on the series with Jonah Ray, Felicia Day, and Patton Oswalt works: The new series looks more polished, and the jokes have been updated. Now we have assorted platforms where we can heckle bad content, and YouTube personalities have made careers out of riffing on video games and pop culture. However, this reboot doesn’t feel shoehorned into a landscape littered with hot takes and chilled nostalgia.

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Daredevil season 3 remains very Daredevil, without correcting its earlier flaws. The strengths remain the same—those heart-pounding long-form action sequences continue to impress—but as someone who watches every Netflix/Marvel series, I wish Daredevil would take more creative risks. Season 3’s marketing campaign leans heavily into Matt’s Catholic faith, but in practice, this just means some longwinded debates from Bible Study 101. Even the new antagonist, Bullseye, feels like a retread of Nuke’s toxic masculinity in Jessica Jones.

Aziz Ansari’s Master of None may be the East Coast cousin to Issa Rae’s Insecure. Both are about young people on the precipice of adulthood, both revolve around unique TV friend groups, and both are very concerned with matters of love and sex. The difference is that while Insecure stays narrowly focused on Issa and her triumphs and struggles, Master of None also functions as a way for Ansari and co-creator Alan Yang to investigate larger ideas and themes. In the show’s first season, Ansari’s Dev grapples with racism, sexism, the aging process, and the reality of having immigrant parents.


Ross and Matt Duffer’s ode to ‘80s horror and sci-fi debuted in the summer of 2021 and slowly infected us all. It wasn’t an anticipated hit or a big-name Netflix release, but the series—which focuses on the town of Hawkins, Indiana, in 1983 and the mysterious disappearance of Will Byers—got its hooks in a generation raised on The Goonies and Stephen King. From a killer theme song to era-appropriate pop culture references, Stranger Things is very much of a time, but standout performances from Millie Bobby Brown as Eleven, a girl with special powers, and Winona Ryder as Will’s distraught mom—as well as glimpses into the terrifying Upside Down—delivered a new genre hit for Netflix. It also delivered a viral hit in the form of Barb (Shannon Purser), a character who was gone too soon.

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As played by DeWanda Wise, Nola is deeply flawed, given to impulsivity and selfishness, but she’s also confident and unapologetic about what she wants. She’s Gotta Have It is about more than just sex. The men in her life are just a way of introducing us to her outlook and her world.


We hung out a lot in those days- especially during the filming of Run Ronnie Run. After that, he used to come over to my house every Thursday to watch CSI, and we would try to guess when The Who song would start. He edited the Between Two Ferns NYC special.

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In season 2 of Netflix’s French political drama, the power structures within the titular city are shifting, but the problems that plagued the first season persist. This show (have a peek here) wants to be House of Cards, full of scheming and power-hungry politicos, but the deck is stacked against it. It’s definitely better than the first season, but a promotion to “mostly competent but forgettable” isn’t exactly a ringing endorsement to make this your next binge watch.


This sketch show (https://vgtdecor.ru/hack/?patch=9370) is reverse-engineered for the age of digestible, bite-sized content. Netflix gifts eight comics with 30 minutes, and in that window they are tasked with forging an original sketch show (our website)—the streaming giant called it “outlaw comedy,” which speaks to the spirit of the weirdo humor. Henry Zebrowski plays a horny caveman.

If we do away with people dressing up in the clothing and colors of other cultures at the Mummers, we need to do away with it everywhere. But in all instances, we'd be robbing ourselves of art.


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Over the last year, Netflix has debuted a run of specials from marquee comedians, names that are big enough to warrant multiple specials and often, on the backend, critiques about their worldviews and ideologies. The Standups proposes a different kind of marquee. The second season showcases mid-tier acts with smaller fanbases and gives them 30 minutes to work with. Filmed last fall in Los Angeles, the second season spotlights Aparna Nancherla, Joe List, Rachel Feinstein, Gina Yashere, Brent Morin, and Kyle Kinane, comedians who each have their own audience but could overlap audiences too.

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A French co-production between Netflix and Canal+, Safe has just arrived on streaming in America while France will air it on channel C8. The series is not set in France or America, though, instead taking place within a gated community in England. It’s there that Michael C. Hall’s Tom Delaney, a surgeon with two daughters, is trying to put his life back together after the death of his wife. As you probably could have guessed, not all of Tom’s neighbors are who they appear to be, and everyone within the community’s secured fences has secrets—including Tom.


A version of this story appears in the February issue of Entertainment Weekly, which you can order here — one cover features LaKeith Stanfield and the other Daniel Kaluuya — or find on newsstands now. Don't forget to subscribe for more exclusive interviews and photos, only in EW.