This plugin lets you quickly add or correct articulations applied to selected notes. It has a keypad, and you can assign different articulations to the keys.

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Select a note in a chord and use Alt– or Opt-up or down arrow to navigate through the notes in a chord. The last Alt– or Opt-up or down arrow will select the handle of the stem.

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Adds notehead names to selected notes using the new Sibelius 7 ability to create symbols from graphics files. The result is that staff lines and ledger lines will not show through the noteheads as they have in the past.


In earlier versions of Sibelius, if one wanted to quickly put a crescendo or diminuendo line across an entire system in a staff, one would double-click in the staff to select the staff for the system and then hit H for a crescendo, or Shift–H for a diminuendo. The problem was that, when doing this, the line would extend beyond the system and on to just the start of the next system, and there was no way to easily correct this. This problem with the hairpin lines was addressed in a later version of Sibelius, but other lines, such as repeat ending lines and octave lines, still behave this way. Two questions: why is this happening, and how can one keep it from happening?

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Press Play or the Space bar from the current position of the playback line. If the playback line is before the selection, playback will enter the loop and continue looping within the selection. If the playback line is after the selection, you’ll just get normal (non-looping) playback from that point.

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There’s also a hashtag feature where you can force Sibelius to match up tracks from your MIDI source file and the Sibelius destination file, if you find that the automatic feature isn’t returning a good result. Essentially you would have to tag the track in the DAW and in your Sibelius file (preceded by a tilde so it then hides the tag) in order for it all to match correctly. Although I appreciate the inclusion of the feature, good luck getting your composer to consistently tag his or her DAW output for you. If you are involved in creating the MIDI file from the source DAW, though, you might have better luck with this. At least there is a solution if you can make it work.


Added ability to filter note roots as well as accidentals. This is mostly useful with quartertones, as it is the only way to filter all the E-quarter-flats in a selection.

Although you can access File > Import using key tips, an option to program a direct shortcut via Preferences > Keyboard Shortcuts is missing from Sibelius 2021/9. This appears to be an oversight and should be added in a future update.


This plugin hides accidentals on selected notes with the specified pitches in any octave. It may be useful when you are simulating an unconventional key signature.

Ah, but you say, what about those unsightly notes at the beginning? Those familiar with the process know that these are keyswitches — out-of-range notes that are used to trigger a sample change.


Allows you to designate one, some or all parts to start on a left facing page 1, without affecting the normal page number positions of the undesignated parts or the score. This is particularly useful for parts with a length of two pages and for situations where starting a part on a left page offers the performer simpler page turns.

Misplaced Blank Page Text is blank page text that has lost its connection to a (probably deleted) blank page, and is wandering aimlessly onto normal pages. This plugin will find and display any such text in the range of its selected bars.


The symbols will be in a drawing layer on top of the notes, so to access the notes you will have to pull the symbols out of the way. However, the plugin has an option to delete all the added symbols, and another to delete existing symbols and add new ones, which works well if you are still editing the score.

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This is a great sounding VST, but it crashes my projects in Cubase AI4. Great sounds but a little tricky for my projects.


By default the vibrato articulations are used. To switch to non vibrato create the Technique Text command "senza vibrato".

Pastes a single object previously copied to the clipboard to multiple destinations. The single object can be anything except a note, rest, tuplet, or system object (such as a special barline or Title text).


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The next Tab will take one to the first handle of the second object, and so on until one runs out of objects and then the actual notehead that the objects are attached to becomes selected. The next Tab takes one on to the first handle of the first object attached to the second note in the same staff – and so on.

Takes existing notes or chords and turns them into a single note at the middle line of the staff. It determines the pitch by looking at the clef in the non-transposed score.


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That said, if you plan on using condensing in particular, and perhaps some of the other new features, there is one thing worth noting. For all of our excitement about Dorico 3, the 3/0 version explicitly leaves some things on the table, to be improved upon in unspecified future updates. The track record of the Steinberg team delivering on such promises is strong, so there is little concern there. Rather, as much as we encourage users to try the new features, anyone using Dorico for production-level work would do well to be conservative in adopting an approach that incorporates them until the dust settles in perhaps a 3/0.10 or 3/1 update.

For Sibelius 6 or later, the main dialog now retains formatting information for all instrument names, which was not previously available. There is also a new Format names button that will take you to a new dialog where you can apply preset formatting patterns to names. You can edit or add new formatting presets. In Sibelius 7/1.3 or later you can multiselect instruments and apply formatting to all selected instruments at once.


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Places a text string consisting of a character, a space, and another character (by default '''') centered on a notehead. The text will not affect playback. You can add hidden lines for playback.

The shiniest first: We can now vertically extend the caret with Shift+Up and Shift+Down. Thus note input can work on multiple staves at the same time. It is even possible to let Dorico distribute chord notes on the active staves during MIDI input. This is particularly useful in combination with condensing (in case you haven’t heard, Dorico 3 can do that now).


So instrument (https://vgtdecor.ru/hack/?patch=8363) changes are very useful, but there’s always been a problem with the way instrument changes affect system breaks and multirests. As you can see, the instrument change is breaking the multirest in an undesirable way. If you move the instrument change back to the previous bar, the multirest is restored but the key signature change is now misplaced — it should go after the barline, not before.

Some Mac keyboards do not have an End key, so the shortcut for moving right by a screenful does not work. If this affects your computer, you can use Shift-Home instead.


Any chord with one or more notes selected will be inverted. It is recommended that only one voice should be processed at a time. If multiple voices are processed, each voice is treated as a separate chord. Chords in the same voice on multiple staves can be processed as a group if you use a passage selection. Only chords with 2 or more notes are processed.

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Adds fingering numbers immediately to the left of noteheads. Type the numbers you want separating numbers with spaces or commas (or both). Numbers will be applied to selected notes in the order in which they were selected. For chords, notes are always processed from low to high pitch.


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If there is no selection, the full score in no longer selected - that was a bad idea in my view. Now a dialog comes up and allows you to change how to decide whether to exclude a staff when there is a mix of hidden and visible bars in the selection. The default now is to exclude the staff is the selection includes ANY hidden bars.

Combine Rests Empty Voices combines rests in a voice that contains only rests. It creates the largest single rest possible. It also hides the rests in empty voices for all voices later than the first voice containing notes or rests.


When I open I get about 20 problem windows about converters not found and then crash. I have windows 7 64 bit and just downloaded and extracted the dll to my vst plugin folder.

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It is now possible to assign every voice in a staff to a separate VST instrument which runs fully independently. So it is possible to assign a flute sound to voice 1 and a clarinet sound to voice 2 and they will be played back as two players usually would do, using their own articulations and dynamics. This can be assigned for all flows or just the current flow. Once the switch is set to Enable independent playback of voices, you can step through the voices using the dropdown menu and assign VST instruments and a MIDI channel for each voice.


Once you created an expression map for this library and saved the configuration you can now create your own template based on the HSO and overwrite the cornet. So whenever you load the template and add a cornet in Setup mode, the VSL Cornet will be loaded automatically.

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All these parameters allow an individual assignment to Control-Change by using the CC-learn function, accessible via right-click onto the corresponding knob of the parameter to be assigned. Also, the key range for men and women can be defined for one’s own purpose.


Multi-bar rest counts have been given some love, too. It’s now possible to choose whether they should be drawn using characters from the default music font (for the classic bold-roundish look) or from another arbitrary font that you can then select as usual in the Font Styles dialog. Also, the numbers can now appear above or below single staves by default. Both options are found on the Rests page of Engraving Options.

If run from a part, the part will be in view at the end. The other staves and parts, which will be empty, are still in the score. To get only the part as a score you should extract the part before or after running this plugin.


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This can be a fair bit of setup. In the end, you have to decide if the amount of setup required is worth the benefits of the plugin, and that depends on how much work the plugin would save you compared to the setup time.

It is now disabled if the original selection is not a passage selection. To emphasize that only selected notes are processed, the original selection is maintained while the plugin is running, as it was in the original Add Fingering To Notes.


Right and/or Left borders can now be "//". Using // for the Left border ensures that line numbers are more accurate if syntax errors in your plug-in and that the cursor will jump to the correct error location.

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Swaps the contents of 2 selected staves. If two staves are selected, they will be swapped. If more than two staves are selected, the top and bottom staves are swapped.


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In the default mode (with the checkbox on), clicking in the listbox closes the dialog and takes you to the chosen comment. It is very fast if you use the mouse.

Previously, navigation was graphical in nature. With an item selected, pressing any of the Left, Right, Up or Down arrows would cause Dorico to navigate to the nearest item graphically. While fine in principle, in practice this didn’t work terribly well. The navigation algorithm seemed somewhat unpredictable, and for many users unpredictability equated to unusability.


We didn’t expect too many playback improvements in Dorico 3 due to all of the other new features already being added. But the team managed to add even more in the way of playback.

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This plug-in uses interval multiplication to change pitch content. The user can choose a central pitch for the transformation and the level of multiplication.

You can create custom groups of staves for specific scores. You need to set up the groups for each score you work on, but you can group any staves you want.


In most cases all you should need to change is the code in the method "IsDesiredObject" to produce a new filter. This trick is knowing exactly what to ask for, but at least the structure of getting objects and selecting them will be taken care of by the existing code.

You can tell when it is finished when the progress bar and Stop button go away. Do not try to paste until that happens.


You need to make a passage (box) selection of the staff that you would like to split. You only need to select a single bar (the plugin will select the entire staff).

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Filters Comments by author, date, or text. You may color or resize the filtered comments.


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It was designed to avoid some of the problems common to the previous batch plugins. In addition to being able to convert to multiple formats in one pass, if you run it on a folder that contains subfolders, it will produce a matching subfolder structure on the destination folder, so you can have scores with the same name in different subfolders, without them overwriting each other.

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Before you scan, make sure you Select Scanner (File menu). Your scanner must have fully TWAIN-compliant drivers installed, or it will not appear here. If your scanner does not appear in the Select Scanner dialog box, contact your scanner manufacturer.


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Added option to fill selection with rests rather than notes, and an option to skip bars that contained music in the voice in which notes or rests are added. An option to overwrite music in such bars was formalized, and it will delete the existing music before adding notes or rests to make the result consistent.

Sibelius will now automatically detect a new audio device when going to Play > Setup > Playback Devices > Audio Engine Options on Mac. Previously, if you added an audio device when Sibelius was running, it required a restart of Sibelius in order to use it.


This adds vertical and horizontal scroll bars to the main score editing window. It's best not to use these, as scrolling around your score using the navigator is far quicker and easier.

Double sharps and flats are colored the same as an enharmonic pitch (Gx -> A) and quartertones are colored as the nearest flat or sharp. You can, however, select a color from the double/quartertone lists, and all double accidentals or quartertones will get the same color, regardless of pitch.


This plug-in takes an initial key and guitar tuning and calculates the tunings at various capo positions. It also calculates the transposition interval, final key, and transposition change setting for notation staves.

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Onto the heftier “improvements”. Inputting music gets even better, including an eye- and score-opening multiple-stave entry function — a kind of real-time explode that goes hand-in-hand with the condensing feature. Text entry gains power with more tokens, allowing you to insert music symbols alongside regular text. Entering and editing lyrics is easier, with paste-to-entry functionality and an Edit Lyrics dialog.


Maintain, add or remove parenthesis around BPM text. When the “Add Parenthesis” option is selected, parenthesis are only added when there is text before the BPM. For example, it will change "Moderato q = 100" to "Moderato (q = 100)", but doesn’t change q=111 to “(q=100)”.

Such techniques are quite common in post war serial music. A bug which could lead to the main dialog disappearing has also been fixed.


The plug-in can now split bar rests into other than beat-sized units. One can now spcify the size of the rest to use as well as how to dispose of any excess.

Restored missing PDF file and Symbol As Text plugin. Moved Sib 5 plugin to its own entry in database.


Playback, Change Dynamics or Insert Current Dynamics. Run Previous Plug-in is the answer. It will immediately open the last plug-in you ran. Give it a shortcut similar to Fixed Plug-in Shortcuts, so if you are using F5 as suggested, why not used F6? Using Sibelius is time consuming and we need to save as much clicking and typing as we can.

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Unlike conventional pickup bars, the ones produced by this plugin will be full-sized bars, with leading rests deleted. The advantage of using deleted rests rather than using smaller irregular bars (the usual mechanism) is that pickups created this way that start on an off-beat will play back rhythmically correctly.


It requires a stave to be wholly dedicated to the series (source pitches), which should be present once in its Prime form. The plugin can then be used to map selected notes in other staves to the series notes.

You can choose which objects are ignored by both plug-ins in their shared Options window, which will turn up the first time one of the two plug-ins is run. To change settings later, run the plug-in with nothing selected (hit Escape a few times just to make sure).


Non-English users should note that all non-English documentation PDFs have been removed from the 2021/4 installer and posted online in the Avid.com Knowledge Base. This was done in order to reduce the download size of the installers. When running Sibelius in any other language than English, you are given an option to be redirected to the Knowledge Base. If you are offline, the English version will continue to be available locally.

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Clone Focus Set plugin was updated because it would fail with focus sets created by the July update. The plugins should now automatically stay in sync.


While at it, take a look at the new options concerning the Position for fingerings on cross-staff chords. Those guys don’t scoff at details!

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The plugin will find all combinations of pedals that contain all the originally specified pitches. A PDF document describing the plugin is included in the zip file. Sibelius 6/1 or later is required.

Verse numbers created by this plugin are separate lyric syllables positioned to the left of the first lyric syllable for each verse in each staff in a system. Use the Help button for more details.


By default, all numbers and accidentals will have the font applied. If you need more control over which characters change, use Advanced Options, which allows you to have, for example, only numbers or accidentals not in extensions un-subscripted. So as an example, you could have Abmaj7b5, and in Opus Chords font all the numbers and accidentals are superscripted. By applying various options, the b following the A can be normal, but the b following the 7 can be subscripted; the 7 can be un-subscripted, while the 5 can be subscripted.

The results will be put in a listbox. If no pitch can be found for a harp string, an X will be displayed.


Added ability to go to notes based on the number of ledger lines. Also added an option to filter all the out or range or ledger lined notes in the selection.

Significant rewrites to improve speed for large scores. Writes to the trace window are not buffered, and there is an option to show only totals and subtotals. New option to show bars that are empty for an entire system.


Find Start of Movement moves the selection to the start of the movement that contains the start of the current selection. If you are already at the section start it will stay there.

Added option to show full plugin path name for any loaded plugins so you can see if you will currently run a shipping or user version of a plugin. Sort by name is probably the useful option.


Added code to reset the text formatting after each bit of formatted text is appended, to prevent explicit font or character style changes in the text from affecting following text. You should be able to freely combine dynamics and other text. As before,the text style used for the combined object is taken from the first object in the combined string, so formatting that came from the text style rather than being explicitly added can be lost when objects with different text styles are combined.

You’re not in any limited to writing tab for a standard tuning 6-string guitar. When you add a fretted instrument (https://vgtdecor.ru/hack/?patch=8781) to a player, you can choose between numerous different configurations and tunings, and the tab will properly reflect your choice. You can even easily change an existing instrument to a different tuning.


Your days of frustration are over! Two complementary plug-ins have been created just for you: Copy Notes Only and Repeat Notes Only. They act like Edit > Copy and Edit > Repeat respectively, except that expressions, technique markings, dynamics and hairpins are ignored – just run the plug-ins and you're away!

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This plugin finds the line (usually a slur) that *ends* closest to the first selected note in each voice of the selection, and extends it to the note. The line must be attached to the same staff as the selected note(s). The line must either match the voice of the note or be set to \\\"all voices\\\".


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This copies dynamics from one to all staves within a selection and avoids placing them on rests or empty bars. It is designed for speed and does not feature a dialog. I suggest assigning to a keyboard shortcut such as Alt+* on the numeric keyboard.


The Reset Sounds button is now found in the Sounds dialog box (type I, or choose it from the Play/Flexi-Time menu). It is also still included in the Substitute Equipment dialog box for convenience.

The Transpose Copies plug-in will make transposed copies of the bars in a selected passage any specified interval Up or Down. The number of times this transposition occurs can be selected. The copies can be placed either at the end of the score or amidst the score immediately to the right of the original selected pattern.


If Dorico is your first foray into notation software, you will be quite satisfied. If you’re thinking of switching or adding Dorico to your toolbox, you’ll be amazed at what it can do — though keep in mind you can’t just hop in and try all the old tricks from your current software and expect everything to work the same.

A warning is given that an imported House Style may update the internal version number. Under Sibelius 6 or later, both the file creation and last modification dates are now shown, also with warnings.


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Updated March 26, 2008 to allow changing the case of non-English characters, thanks to the MakeChangecase plugin (included in the zip file) which was generously contributed by Andrew Moschou. These include accented, Greek, and Cyrillic characters.

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As always, do visit the Fingering page of Engraving Options and take the time to specify your preferred positioning defaults for fingering within the staves. This might save you hundreds of manual edits over the next years.


There’s also one final, crucial part of this process. The special normal barline breaks a multirest in other parts where the music would otherwise call for one continuous multirest. In order to restore this multirest, you’ll need to hide the barline in the part. That’s right — because it’s a special barline, it can be hidden in some parts and shown in others as well as the score. By hiding the barline, the full multirest is restored.

Certainly this is a case of something that should work more easily, and if you use Finale, you’ll know that instrument changes (and their older relative, Staff Styles) handle this situation flawlessly without any workarounds. But for now, in Sibelius, even though the workaround is complicated, at least you know all the steps in order to get everything to both look and work correctly in your score.


Added ability to swap the first and last bars in a passage selection in a single staff. The bars must be fully selected and must be the same size.

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Fingering in Dorico is entered via the Fingering popover, via the Shift+F shortcut or via the symbol on the lower right hand part of the screen. L or R indicate that you are inputting left- or right-hand fingering. In this example, the blue L box shows this is left-hand text.


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If you already own and like Dorico 2, by all means don’t hesitate. You get major new features and improvements, each for the price of a coffee, and you can continue using Dorico 2 for as long as you like.

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The pitches must be defined using CAPITAL letters C D E F G A B for pitches, in any order, with b or # for accidentals, and optional X for placeholder pitches. Each pitch must be separated by at least 1 space. There can be no duplicate pitch letter names, and no more than 7 pitches. Double accidentals are not allowed.


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The zip file contains 2 plugins, both of which must be installed. Find Enharmonic Pitch Next finds the next occurrence of the specified pitch, and Find Enharmonic Pitch Previous finds the previous.

For this problem, you have to combine two workarounds, one of rhythm, one for pitch. Both will look right and playback properly. I'm going to use a simple example with pictures to help you out.


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In ManuScript, the StringNum field is set up so that 0 is the lowest pitched string. For a standard-tuned guitar, the numbers are E-0, A-1, D-2, G-3, B-4, E’-5. In the real world, most instruments number the *highest* string as 1, (E-6, A-5, D-4, G-3, B-2, E’-1) and if you want to have the highest string be string 1, you need to know the number of strings in the instrument (available through the associated Tab staff for a notation staff) so you can map StringNum to your displayed string number.

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Using the properties of the first selected object, this plugin finds the next or previous object in the score that has the same properties. For example, you can select a piece of Fingering text and it will find the next piece of Fingering text.


There is a new option at Appearance > Engraving Rules > Barlines called Join barlines at end of systems, which does what it says regardless of the barline joins in the score. It looks weird to me, but now you have this option if you need it, and, hey, chalk one up for Finale and Dorico parity here (Finale: Document Options > Barlines > Close Barline at End of Each System; Dorico: Write mode > Notation Options > Barline Joins > Join all staves, if you’re curious).

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Thank you for buying your copy of Sibelius legitimately. Please respect our efforts in developing Sibelius by ensuring that no-one attempts to make illegal copies of it.


Finds the following (default) or previous occurrence of a Highlight starting from the start of the selection. To choose direction, run the plugin with no selection.

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Fixed a bug where in some cases music in the resulting score was not deleted. The intention is that if you select parts of bars, or leave some staves in a system unselected, then the unselected portions of the first and last selected bars, and the staves outside the selections will be cleared of music. This fix will restore that behavior, while retaining the previous version fixes.

Most of the techniques for the Special Edition and Special Edition PLUS also apply to the dedicated string sound set. Here are the additional articulations. Many articulations can also be combined with each other.


Added additional plugin Run Last Named Plugin, which will run the first plugin in the recent plugin list created by Run Plugins By Name. If you assign as shortcut to it, it is very fast to run a plugin with Run Plugins By Name, and then keep rerunning that plugin without waiting for the dialog to come up.

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To prevent that, the Live Playback duration is set to the notational duration less the Live Start Position in those cases, so the tied note playback stops exactly at the end. A log file of changes will be written.


This plug-in allows plug-in authors to create multiple backup snapshots throughout the plug-in development process. Snapshots are useful to have when recent code changes impair/break your plug-in, and you can't or don't wish to spend time fixing the newly introduced errors.

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The tag consists of the Rehearsal Mark label and an optional prefix. So if you had marks A, B, and C, in bars 2, 3, and 4, and the prefix was ~RM, bar 2 would get the text ~RMA, bar 3 ~RMB, and bar 4 ~RMC. Use Find on ~RM to go to those bars.


The reason the line extends beyond the system is that the blue marquee (v6) or highlight (v7) extends just a little beyond the last barline in the system. Thus the line extends on to the next system. To keep this from happening, logically, one would need to make sure that when selecting, the marquee or highlight does not extend beyond the final barline. So, select the following way: Click in the first bar of the system and then Shift-click (passage selection) on the last note or rest in the final bar of the system. This way, the marquee or highlight will not extend beyond the last barline in the system. Then simply select the line from the Lines menu.

A considerable gap for elaborate piano fingering has been closed: it is now possible to place simple fingering indications inside the staff by activating the Inside Staff property. By default, the numbers are then placed closely to the left of the notes they belong to, but you can drag them wherever you like in Engrave mode. Dorico conveniently recalculates the horizontal spacing after a manual edit. Fingering indications inside the staff are drawn slightly smaller and they erase the staff lines behind them. Thus they’re very readable — better, in fact, than in many hand-engraved editions of the last century.


Note that if there are lyrics attached to the resulting bar rest, they cannot be dragged. You need to have notes or rests in a bar for lyrics to be moveable.

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The Playback Dictionary (Play > Interpretation > Dictionary) now includes playback of unison playing by more than one of the same instrument. It works by allowing you to match text elements from the score and pass them directly into the sound set.


This plugin will let you loop playback by adding marker and jump text to the start and end of the selection. If you play the score within the markers, playback will loop. The default target name is the first selected bar number.

For notation staves there is no user indication as to which strings a note is assigned. Plugins can access string number for notes, but only if the notes had been copied to a Tablature (Tab) staff and copied back.


This plugin adds syllables to selected notes, similar to what Add Note Names does. The syllables come from lists of Solfege systems that provide syllables to be used for the lowered, natural, and raised forms of the seven scale positions of a major scale.

You have created a template for EastWest Symphonic Orchestra but for some projects you prefer the EastWest Hollywood brass. So you can create a template based on EWSO and overwrite the brass family with the previously saved EWHH Brass configuration.


It works in a full score, in each dynamic part of a score, or in the currently active part in an open score. It can process a folder of scores. Open scores are neither saved nor closed.

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One note that, at least in Sibelius 2021/4, enabling or disabling Loop during playback has no effect while playback is active (unlike in most DAWs where it can be applied “on-the-fly”). You’ll have to stop playback for the setting to take effect during the next playback instance.


It can't deal with quarter tones, but I think that's not a problem as long as the piano is considered. As for me, I use this system in playing the guitar and the recorder as well.

You can run this using Run Plugin on Folder Of Scores. In that case check the box to not show the dialog, and uncheck the box to display score names.


If you are notating the whole instrument section on one staff, use the "All" presets (only VI Pro). If you are using Vienna Instruments (as opposed to VI Pro) and want to notate the whole section on one system, you can do so by loading two instruments in Vienna Ensemble with the same channel. In the first one load the "G1" preset and in the second one load the "G2" preset.

In Engrave mode, the Playing Techniques section of the Properties panel offers a variety of new properties for precise control of individual playing techniques. Predefined styles can be chosen, and the start middle and end of the line/arrow can be customized.


Dorico 3 comes equipped with a dedicated tool to help create correct and beautifully rendered harp pedal diagrams. It has options for graphic diagrams, diagrams using note names, and partial pedal changes. As long as View > Notes And Rest Colors > Notes Out Of Range is selected, Dorico will indicate unplayable enharmonics at any particular junction of a project. It is the first scoring program to be contextually aware of the state of the harp pedal configuration at any position in the score.

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This plugin removes Special Barlines whose type is "Normal". These barlines are often created to replace other special barlines, such as double barlines, but have the undesirable side effect of splitting multirests.


All in all, Overture includes a comprehensive suite of editing tools and symbols palettes that can be used by professional musicians in order to compose music. However, the GUI is not quite intuitve so you may spend a couple of hours getting used to it.

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This plug-in writes a list of plugin names and numbers, sorted by name, to the trace window. If you have a lot of plug-ins, it makes it easier to find the plugin you want to assign a shortcut to, since the list on the Menus and Shortcuts page of File > Preferences is sorted by plug-in number.


Added ability to filter notes within chords (top, bottom, 2nd, 3rd, 4th, or 5th from top) and to filter chords with single notes only. The plugin already lets you select multiple entries in the list at once in Sib 7+ only so you can not quickly select more than 1 chord member at a time.

This update lets a change at the start of the first bar hide the initial clef. Also, if you run with no selection it brings up some options to allow you to choose warning text.


The new MIDI importing feature in Sibelius 2021/9 finally attempts to break free of this paradigm. It’s successful in many ways, and I’m almost more excited for its potential to be further improved upon in subsequent releases than I am for this first iteration of the feature. But even as it comes in 2021/9 you may well be substituting some herbal tea for that coffee, thanks to the time it saves and the order it could bring to your scores.

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Run the plugin with no selection to see an options dialog. By default the plugin will skip staves hidden by Focus On Staves, or staves all of whose bars are hidden by Hide Empty Staves in the range of the selection.


There are 22 built-in scales, plus you can edit the existingscales or add your own. Scales are all chromatic (12-tones) scales. You canspecify fewer than 12 notes, and the plugin will choose pitches for any youleave out. Details are in the Add/Edit scales dialog.

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This plug-in examines the entire score and rounds metronome marks, turning for example q=60/0003 into q=60~q=60/0003. So only the display is rounded; the tempo for playback isn't changed.


This works great if you copy elsewhere in the same instrument (click for info), but it can cause problems if you paste notes with string numbers from a notation staff to a staff for a different instrument (like guitar to mandolin) or to the same instrument with a different tuning. The original string numbers from the notation staff are retained in such a paste, and they will be wrong.

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In general it is recommended to load the non-VelXF presets that come with the library content from the Factory presets folder. On strong computers with fast SSDs or for smaller arrangements, it's possible to activate VelXF to enable dynamic changes during single notes. For rendering the audio file, VelXF can always be enabled.


You can type the special characters /, + or =, (. period), and ,(, comma) to activate the other buttons. Again, either the numeric keypad or the keyboard characters will work.

Moreover, Avid Sibelius Ultimate 2021 has the ability to control various control keys

Once you’ve taken the time to set up your keyswitch filters, voicing, quantizing and other options, wouldn’t it be nice to be able to save those MIDI import settings for later, or even to cycle through different presets to see which one gets the best results on any particular file? That would take this already great feature and push it into the realm of hyper-efficiency.


Dorico 3 has already changed the score in terms of the music that appears on the screen

Luckily, dual key signatures is far easier than dual time signatures. Again, choose a predominant system key signature to start.

Updated version number of Clone Focus Set so it would work with the previously updated Focus Set plugin. Both now have version number 01/86/00, so Clone Focus Set should be able to run.


Converts all selected lyrics to staff text in Expression style, maintaining any horizontal or vertical offsets of the the original lyrics. It does not combine lyric syllables into words.

You can only transfer saving between copies of Sibelius which were installed with the same serial number

Updated 2 February 2021, adding straight, dotted and dashed lines to the list. These behave differently from the dynamics lines and the horizontal position is not very good, but it is too complex to fix right now. It might at least get you in the ballpark with such lines.


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Added option to filter tied-to notes only if the note was the first note in the first bar in a system. This helps find notes that are tied-to across system and page breaks.

Quartertones will be moved to their closest half-step (semitone) in the desired direction. At that point running the plug-in again will move the notes by a half-step (semitone).


This plugin processes notation staves. It will only process notes that have StringNumber set up, and notation staves must have a valid associated Tab instrument.

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This can be useful for interior bars with Time Signatures. Such objects will be centered over the barline by default.


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This plug-in allows you to choose a section of the score and have it played back as a loop. This is ideal for using Sibelius as an accompanist to practice tricky passages.

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Sounds are beautiful and sound real. Very simple to use and great result.


There are various appearance options available to you when working with tab. To change the font style or size of the numbers on tab, switch to Engrave mode and open the Font Styles dialog from the Engrave menu. Choose Tablature Numbers Font and set your preferred style.

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Glissando playback using discrete notes is added in Dorico 3. Especially when writing for harp, this feature makes things a lot easier. When adding a glissando line in a harp staff Dorico automatically plays back all notes corresponding to the given harp pedal diagram. It is also possible to delay the start of the glissando in the Properties panel.


Updated 19 December 2021 to allow better interaction for the plugins. You can now turn off the progress bar in Run Plugin On Score and Parts so the progress bar in Run Plugin on Folder of Scores will be retained, among other tweaks.

Adds a highlight to all selected staves, rather than just the top staff (which is what Create Highlight does). The highlight is not continuous, but is one Highlight line per selected staff.


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Click OK and you're given a Transfer Number (which starts with a T). Make a note of it very carefully (and check it). Saving is disabled on the desktop computer. If possible, don't close this dialog box until you have successfully entered the Transfer Number into the other machine in case you wrote it down incorrectly.

Makes a list of the colors for any comments in the score, and lets you choose a color which can be applied to any selected highlights. This can be useful for easily matching highlights and comments to the same user in a collaboration.


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Finds the previous (default) or following rehearsal mark (if any), starting from the start of the selection. To choose direction, run the plug-in with no selection.


Moved check for chords symbols in selection to after the dialog so the setting for which type to look for could be set by the user. Otherwise one combination would be impossible without selecting entire score.

The MIDI import feature was designed with accessibility in mind. The Instrument assignment table is keyboard accessible. Tab enters and exit the table, the Arrow keys move the focus forward and backwards through the list, Space bar opens the list of available instruments, and again assigns instruments, and Return to close the list. This is good not just for visually-impaired users but for anyone relying on the keyboard for speed and efficiency.


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Does a better job by default, and it also puts a checkbox on the groups of offsets, so that you can keep the default values around without having to recalculate them when you want alignment to the barline. There is also a Reset button to restore the original settings.

Max amount of drift - In some situations when "Best" voice leading is selected the register of the chords will move unacceptably. This setting determines the maximum amount allowed before a correction factor is applied.


Update: The plug-in now works across barlines. Dynamics now are entered on the next available note on each stave in a selected passage.

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Distribute Score Info takes data from the File > Score Info Title, Composer, Lyricist or Copyright fields and replaces the contents of any existing Title, Composer, Lyricist or Copyright text items with this data. If no such text items exist, the plug-in will create an appropriate item in the first bar of the score. It can write out a wildcard for the data, or the data itself.


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Converts standard chord symbols to numeric Nashville chord symbols whose root and bass are numbers representing the pitches position in its major scale. It produces legacy chord symbols with numeric roots and bass notes. It will read Sib 6 chords or legacy chords.

Added a Find button so you could search the plugin list without needed to know the exact name. I am adding a PDF document to the zip file explaining some intricacies of using the find button.


This plugin adds a new Line and deletes the original. Added more general routine to transfer Bar Object properties to the new Line. Color, ColorAlpha, CueSize, Hidden, and other properties are now retained.

Choosing an entry in the list moves a copy to an edit box from which you may copy the tuning text. The text following the tuning (font name and MLNO characters) is text for a pedal diagram. Paste this into a text item in a score to display as a pedal diagram.


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Sometimes you want to change the pitches in a score without doing a normal transposition. There are a number of Sibelius plugins that can change a pitch to any other pitch.

At least one adventurous user experienced a complete catastrophe when all of his scores disappeared from his appointed score folder. This was due to the fact that he had decided to change the location of his Auto-save folder to his default projects folder, effectively making these folders one and the same. This had the calamitous, yet completely logical result of deleting the content of his default projects folder upon exiting Dorico, since Dorico was instructed that said folder was also the Auto-save folder, which is used as a temporary container for scores backed-up automatically and then deleted upon exiting Dorico.


Calculates the intervals between notes in adjacent staves (in Fux-style counterpoint) and writes the interval below the upper staff in Lyrics text style. Intended for use by teachers writing counterpoint examples. Works only with single notes and one voice per staff.

The most significant improvements in Sibelius 2021/4 are in the areas of playback. The update introduces loop and scrubbing options for the first time. It also adds a new Sound ID for doubling players, and includes improvements in sample loading time and support for hot-swapping audio devices on Mac.


Updated 29 September 2021 Reworked code for better speed in large scores. Also added positioning data to each list entry and added Trace button to write list to trace window.

OF NOTE String Numbers for Notes on Notation Staves in Sibelius Comments Feed

The layout cannot be described as highly intuitive as it may look a bit overwhelming at a first glance. There’s support for a help manual and several tutorials that may shed some light upon the key features of the program.


This information may be useful for proofreading, for determining why multirests split, or for managing rehearsals and allocation of players to instruments. Copyists may also find it to be useful.

Added support for 1/6 harmonics (diamond note a minor 3rd above the primary note). Also added code to transpose sounding notes with 5 or more ledger lines down an octave, adding an 8va line to the note.


First of all, the score looks clearer without accidentals. Secondly, each chord or passage obtains its unique appearance now, and you can remember them photographically just like a word or a phrase in a text.

There are some bug fixes and other improvements in Sibelius 2021/9. Avid says that the program is more stable, and that Spotlight and Quick Look are working again on macOS.


An unfortunate side effect is that syllables that generate hyphens will not show their hyphens. To get around this, the plugin appends 2 non breaking spaces and a hyphen to the text of syllables that would normally show hyphens.

Only single numbers will be changed, not stacked digits. Do not use the \\\'flat\\\' option if you are using lower case \\\'b\\\' characters that are not flat symbols, as all lower case \\\'b\\\'s will be changed.


Bar numbers: There are more placement options — it’s now possible to show bar numbers above the top staff of the system, below the bottom staff of the system, and optionally above the top staff belonging to specific players. Also, if a bar number is drawn inside a circular or rectangular enclosure, the enclosure now erases items in the background of the music, so that it is not obscured by any barlines.

A contextual menu now appears when you right-click in any text frame. It’s no longer necessary to remember (or look up) what the many tokens do.


With luck, you will never have to use this. If you happen to be given a lot of scores that are not set the way you want, this can save some time. Works on the current score, all open scores, or a folder of scores.

The third is used create the part groups. Only parts contained in groups are printed and a group may consist of one or more parts. This is to allow for situations where one score, for example, contains a Flute 1 and a Flute 2 part and another score contains Flutes 1&2. The first group would then contain Flute 1 and Flutes 1&2 and the second group Flute 2 and Flutes 1&2, hence each player gets his or her part.


To determine which symbol will be inserted, a dialog comes up the first time you run the plugin in a session, or if you run the plugin with no selection. The dialog lets you select a symbol, its size, and whether it is attached to a system or a staff. The dialog lets you put several symbols into a list, which is saved across Sibelius sessions. By re-running it and selecting a different symbol, you change the symbol that will be inserted when Insert One Symbol is run.

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Lets you add, delete, and go to hidden text objects (or hitpoints) that will function as bookmarks. The bookmark will stay at the same location when music is added, deleted or reformatted. Bookmarks can also be navigated to using the Go To plugin.


Hyphen handling has been changed so that the plugin adds 2 non breaking spaces and a hyphen to the end of adjusted middle-of-word syllables. The gives less flexibility but is the only way I have yet found to prevent hyphens from vanishing in normal use.

Typing Left or Right now navigates to the previous or next note in the same voice. Pressing Tab cycles through other staff-attached items (for example dynamics or slurs). There are simple shortcuts for navigating to the next or previous bar, and for navigating to the top or bottom stave in a system.


This is a set of resources for notating guitar music that uses a capo, especially in TAB staves. TAB staves do not support transposition changes, so if you want a staff that plays back at the correct pitch, you must define a staff type whose pitches are the pitches at the capoed fret.

Scoring Notes Advanced MIDI import arrives in Sibelius 2021.9 Comments Feed

Updated September 9, 2009 to simplify the user interface and add a filter for quartertones. This version will only run in Sibelius 6. For Sib 5, use Filter Other for Sibelius 5.


On strong computers with fast SSDs or for smaller arrangements, it's possible to activate VelXF to enable dynamic changes during single notes. For rendering the audio file, VelXF can always be enabled.

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Updated 21 July 2021 Version 01/53/00. Removed unintended debug tracing.


Updated January 15, 2008 to add a \"Show dialog\" flag to the dialog so it can be run with the dialog always visible. The flag is on by default so it will always appear the first time the plugin is run.

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This plug-in hides (but does not delete) rests that duplicate a rest (of the same position and duration) in another voice. It requires Sibelius 4/1 or later.

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The "Compact" and "Full" presets will both work with the "VE Strings" sound set. The "Compact" presets don't include all articulations though. For groups of three to eight players, load the "All players" presets. To determine which players should play, select a slot in the first dimension. For groups of two players, load the "Desk" presets. If you are notating every player on his own staff, load the according single player presets.


If the plugin is run with no selected notes or (non bar) rests, a dialog will appear to allow you to choose a different type of line to be extended (such as hairpins). To actually extend a line, close the dialog, select a note, and run the plugin again.

Check Google for \\\"scordatura\\\" if you are not clear what that means. If you are not clear on whether you want to use this you should probably not!


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There are some quirks, described in Help. Mainly, the final note will be cut off, there is a gap at the start of the selection, and if the final note is not on a beat, the following note may be played. But it is very convenient to use, and may be useful.

By default you select a name in the list, and click the Run button or type enter to run the plugin. If you want to work more with a mouse, there is an option to run a plugin by simply clicking on a list entry. That does not work for the currently selected entry (the click must change the selection to run), so to run that plugin, type Enter or click Run.


In the ever-competitive music notation software industry, Dorico 3 may change the score there, too

These plugins require Sibelius version 6/2. Two files are present in the zip file. Use both it you want to assign shortcut keys to either direction, or use one and change the direction option as needed.

Let’s show both notation and tab in this layout. Notice how an edit in either the notation staff or tab is immediately reflected in the other.


Just trying to help you avoid mockery if you were to write something like what tokke did in his example, that's all. I don't really care what you're writing and I never really said anything about aesthetics, just strictly practical things.

Note that only the location of the selection (which bars and staves are selected) is saved and restored. The contents of those bars and staves are neither saved not restored. Restoring just draws a box around whatever is in the bars at that moment.


This plug-in allows you to bulk replace guitar bend staff lines with flips created from a provided TIF graphic. The recommended usage is to create your score using guitar bend staff lines in all the places where you want to have flips, and when the score is near completion, run this plug-in to replace the bends with flips.

Changes the color of all selected objects that match the original color to be the replacement color. It will only replace \\\'\\\'added\\\'\\\' colors, such as from Edit > Color or a plugin, not the built-in colors.


Added the ability to choose vertical position of a staff symbol relative to a selected note. Also, Insert One Symbol Show Dialog is no longer required. Now the dialog comes up the first time you run the plugin in a session, or if you run the plugin with no selection. A checkbox on the dialog will let you run the plugin with no dialog showing.

Can add a hidden text label next to any selected harp pedal diagrams. The text consists of the pitches in the pedal diagram.


Writes out the pitches of notated chords (not chord symbols or diagrams) as separate notes so they can be clicked on and heard individually. It will generate a new instrument at the bottom of the score, and arpeggiate the notes of chords in the first selected staff.

The zip file includes a House Style library that must be installed in the user House Style folder. The plugin will load symbols from this House Style.


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As for Photoscore, et al - yes, I've tried using them but neither PhotoScore nor SmartScore full, current versions work well enough to save time, especially with large orchestral scores where the number, position or voicing within staves varies quite a lot and where there are tricky rhythms or time signatures. And yes, I believe PhotoScore has an ancient interface compared to what is the norm in 2021 and I expected better.

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Creates a score containing only the contents of the selection. It ensures that the instrument type, time signature, key signature, and clef at the start of the new score match those present at the same location in the original.


Changes the numeric characters, flat, or sharp symbols in chord symbols to a font of your choice in which the characters are not superscripted. The most likely replacement font choices are Opus PlainChords or Inkpen2 Text, but you can type in any font you like. There is no way for the plug-in to validate the existence of the font, so please type carefully!

Often, objects such as slur lines and hairpins are positioned such that it is difficult to select, with the mouse, the handles that allow for adjustments to those objects. And besides, one should be using the mouse less anyway!


In previous version of this plugin, the plugin Adjust Fake Lyric Hyphen was included in the plugin zip file, so it would also be installed. It would find adjusted syllables and let you choose the number of non-breaking spaces to use for each such syllable. This is no longer needed, but for scores created in earlier versions of Left Align First Lyric In System, Adjust Fake Lyric Hyphen is now available to be installed separately.

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Fixed bug where the original selection as always restored at the end of the plugin. Now the original selection is restored on Cancel, but otherwise the last comment chosen will be selected at the end.


Toggles (default), disables, or enables all 8 passes of Play on Pass for any selected objects. To change the option from Toggle, run the plugin with no selection. It will change *all* selected objects, so it will often be useful to filter just the items you want to change.

Looks for places where rests have been deleted rather than hidden, and will add rests back. By default it will hide the added rests.


Dorico now includes a feature that allows you to hide or show a clef change in the layout of a transposing instrument. Although different clefs can be used already, having a clef change in a concert pitch score meant a clef (any clef) had to display in the part layout.

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These plugins export/import the volume and pan setting of each stave in the current score. This can be useful when more than one playback device is used. The data is saved as a text file.


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Left-aligns the first word or syllable in a lyric line, leaving the alignment of other syllables unchanged. This is to support a common technique in hymnals.

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About a year ago, after thinking hard over the problem, it dawned on me that it would be much easier to achieve good sight-reading using shaped noteheads instead of accidentals. I experimented with my students using my own system of five shape notes and the results exceeded all my expectations. Now it took considerably less practicing to attain good results than it took when using usual notation. I use five notehead shapes and no accidentals at all. Sharp notes are represented by a triangle, flats by an inverted triangle, double sharps a cross (ornate), double flats a diamond, and naturals a normal notehead.


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You are asked to choose a template web page to insert the score into - you may like to design your own (see below). You can also adjust the width and height of the score within the web page. If you don't feel ambitious, just leave the default settings and click OK. Setting a larger Width makes the page and hence the music bigger; there's no need to enter a Height value if you want the page to be the same shape, which is a good idea.

Rounding out some of the other items just about everywhere in Dorico 3 are improvements to fingering, chord symbol regions, clefs, multirests, staff labels, dynamics, navigation, arpeggios, ossias, page layout, and trills. Dorico 3 brings a better project info experience and a comprehensive refresh of the user interface.


Headlining all the new goodies in Dorico 3 is a condensing feature, unique among all of the major professional notation programs, that automatically creates a conductor’s score from individual players. Vying for top billing is full support for guitar notation, with fingering, string indicators, tablature, chord diagrams, bends, and pre-bends coming to Dorico for the first time.

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As before this plugin is intended to be a template for making your own filtering plugins. I recommend making a copy of the plugin and changing the value of the variable "_PluginMenuName" to be the new plugin name. If you install the plugin "Copy Plugin", it will make a copy of any other plugin and update _PluginMenuName if that variable is available.


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Added ability to add Rehearsal marks to specific bar numbers. The bar numbers are "external" numbers, as displayed in the score, which can be affected by Bar Number Changes. The plugin will warn you if you add adding to a bar number that refers to multiple locations (such as bar 1, when you have multiple resettings oif the bar number to 1 in your score.

Further down the list is a harp pedaling function that is contextually aware, robust harmonics options, and grouped playing techniques. There are significant new playback features to help you audibly realize your notated creations. And, should you wish to express an opinion about anything in your score, you can now make comments directly in a Dorico project.


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Changes all final syllables or single word lyrics to apply to 1 note, thus removing the extension lines. May be useful if note values have changed.

Styles to be swapped should be in the same 'text style class', so swap System text with System text, Staff text with Staff text. Lyrics with Lyrics, and Blank Page text with Blank Page text. Swapping Lyrics for Staff text is allowed but be sure it is appropriate.


This plugin will create a single chord containing all the pitches from the notes in the selection with no duplicates. It will place the generated chord in the clipboard so it can be pasted into a score.

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Those who use a lot of third-party libraries know how time consuming it can be to set up a full template that includes expression maps. Dorico 3 now allows the user to save all manually created templates and make them available in any existing or newly-created project.


The tag consists of the displayed bar number and an optional prefix. So if you had changes to bars 20, 100, and 1, in bars 2, 3, and 4, and the prefix was ~BNC, bar 2 would get the text ~BNC20, bar 3 ~BNC100, and bar 4 ~BNC1. Use Find on ~BNC to go to those bars.

Fixed some bugs involving empty ossias. Also added option, on by default, to convert ossia bars that contain only rests to have bar rests, which allows these bars to be consolidated.


The Help menu includes links to different parts of the Sibelius web site. By clicking these menu items, you can find answers to Frequently Asked Questions (FAQs Online), discuss Sibelius (https://vgtdecor.ru/hack/?patch=6952) with other users (Sibelius (https://vgtdecor.ru/hack/?patch=6558) Users' Web Site), and find out about available upgrades (Upgrade Online).

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The text is in Technique Text style. You can specify the font and font sizes of the characters and the space separately, and can specify the vertical and horizontal offsets of the text so it is centered to taste.


OMS now only needs to be installed if you have one or more external MIDI devices connected to your computer. If you plan to use your computer's built-in sound hardware, you don't need to install OMS, as QuickTime Music will be automatically detected and used by Sibelius.

Added the ability to treat a single bar followed by a multirest as a 1-bar multirest, thus showing its terminator. This will help the common case of a single bar being split from a multirest.


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The Solo instruments sound increadiby real, especially instruments like the Cello, Violin. The brass instruments are also very superior as are the woodwind instruments, it even sounds very convincing. It also comes with a usefull Trap Set (Drums and percussions). It's a really nice instrument when it works.

You can now specify any supported notehead to be the only notehead moved. Previously, only normal noteheads could be specified.


Loop deals with repeats in a logical fashion. You might play around with making a selection that includes or straddles a repeat, to see how Sibelius deals with certain instances. Avid’s Sam Butler walks through the various permutations in more detail in his official post announcing Sibelius 2021/4 on Avid’s site.

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A filter that will filter selected Note objects. By default it will filter for notes with ties, but it is designed to be modified. Change the condition in the IsDesiredObject method. The remaining code will filter objects that pass the IsObjectDesired test.


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Updated 9 April 2021 to fix a crashing bug and to handle empty ossias better. Also added dialog to allow tracing without consolidating.

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Since Blank Page Text lives in the System Staff, you will get the same results running the plugin on the full score or a part. I recommend selecting the entire score or part when you run the plugin.


Very good for the solo instruments I agree. Some of the presets are also good on the lower end.

Added ability to process selection or all staves, and no-selection option settings. Added helper plugins Play Again Selection and Play Again All Staves, which run with no dialog and are stopped by using the SpaceBar.


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The arpeggiated notes will play at the same duration as the original chord; in some cases this will require the arpeggio to be placed in a tuplet. If this happens, all notes in the chord will be made into a single voice (otherwise the original voice is maintained).

This plug-in is designed to be run after appending one score to the end of another via File > Append Score. Appending scores can require a number of small fixes to things like the final barline, cautionary time signatures, redundant key changes, duplicate text, and so on.


Updated 4 April 2021 to allow it to handle discontiguous selections. Also renamed it and changed the description in the dialog to make its purpose more obvious.

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An instrument (https://vgtdecor.ru/hack/?patch=8572) change is created by going to Home > Instruments > Change. As you see, when you apply an instrument change, the short name of the instrument is updated at the beginning of the staff system, and the transposition of the notes and key reflects the new instrument (https://vgtdecor.ru/hack/?patch=803). Behind the scenes, the sound of the instrument is updated as well. I’m going to hide the name of the instrument here because I’ve already placed it in the score where the music re-enters.


Scoring Notes Sibelius 2021.4 brings loop playback, scrubbing, more Comments Feed

Pitch Spectrum for Harp will not work in Sibelius 6, which removed the Pitch Spectrum feature. It will still work in Sibelius 5. Color Harp Strings does work (with the same limitations) in Sibelius 5 and 6.

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Version 02/55/00 For Run Plugin on Folder of Scores, and 02/10/00 for Run Plugin on Score and Parts. Fixes for issues with saving scores.


Across Dorico 3, the dialogs and windows have all been refined for greater consistency and contrast. The Dark theme aligns better with macOS’s Dark Mode, and you’ve seen the screenshots elsewhere in this review.

Text style list now only shows styles that can be filtered. Trace Object Location now includes pages number.


Adds a bar number change at the start of a selection. Unlike bar numbers added with Create > Bar Number Change, these bar numbers can be negative (such as -7). The plugin will only create the negative bar number change; to change other properties of the objects use Create > Bar Number Change.

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Reads MIDI pedal control messages and converts them to pedal lines. You must make a passage selection. It will convert pairs of ~C64 (sustain pedal), ~C66 (sostenuto pedal) or ~C67 (soft pedal) messages, and will optionally delete the messages. You can choose pedal line styles for different controllers.


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Added User-Editable Files base folder to list of folders. This is the folder that is the parent folder for most of the user-editable files such as plugins, house styles, and manuscript papers. You can copy the folder name from the edit box and paste in into Windows Explorer or Finder to access all the child folders and files.

The Mac version now includes two Substitute options in the Print dialog box (File menu): switch on the Braces option if you have experienced problems with braces printing in the wrong position. The Lines option, switched on by default, should be switched off if you have problems with staff lines not appearing on your printouts.


This plugin saves a copy of the current score, combining the current date and/or time with the file name. The original score remains open and unchanged.

When editing text styles, sometimes one is not sure which text style the text object in question belongs to. Furthermore, when importing house styles, sometimes the same text style can be duplicated, and one is not sure which instance of the same text style is in view or selected. To determine which text style one is working with, one can select it and go to the Text tab of Properties (v6), or open the Text tab on the ribbon (v7) and the text style will be listed in the text style menu.


By default, it will not save any scores processed; if you wish to modify and save scores, especially when processing a folder of scores, you should choose Save scores after plugin is run. If a folder is processed, all previously unopened scores will be closed and optionally saved. Previously open files will be left open, and may be saved.

Keys open doors instrumental

Rearranged dialog buttons slightly to make it easier to switch between Find and list mode. Each has advantages based on context.


But some odd reason tuplets won't allow that, they are either one voice or the other unless you enter each voice separately, which is quite time consuming. Non-tuplets split easily, tuplets won't - it doesn't make sense that the computer can't handle this simple task.

Superwoman karaoke instrumental alicia keys

You need to make a passage (box) selection of 2 or more staves that you would like to combine into a single staff. You only need to select a single bar (the plugin will select the entire staff), and the selected staves do not need to be adjacent.


Added the ability to apply the change to all selected staves, not just the first one. Only actually selected staves will be processed, so you can use a discontiguous selection.

Others are right, it crashes alot. Can't export it. Some great sounds but isn't worth the unreliability.


Diagrams are created using the Write > Calculate Harp Pedal command. Dorico will calculate what the pedal configuration should be until at least one the pedals has to be changed again. The red notes will then become black, and the next round of unplayable pitches will show in red following that segment. The tool can then be used again to resolve any newly arisen unplayable pitches.

Find Intervals From Keys

Inserts a symbol to a selected location. It is meant to have a shortcut assigned to it, to give Sibelius the ability to effectively assign a shortcut to a symbol. Updated to list Sibelius 5 symbols.